Dope, Combichrist

13th Floor Entertainment Presents Dope & Combichrist

Dope

Combichrist

September Mourning, Davey Suicide, Sons Of Providence, Swindy

Sat, April 8, 2017

6:00 pm

Club Red

Mesa, AZ

$22.00 - $25.00

Tickets at the Door

This event is all ages

Dope
Dope
In all genres of music, we have witnessed countless successful bands that were here today and gone tomorrow. The true art that endures time and trends is often driven by a rare breed of dedicated and unrelenting individual, one who is borderline possessed with the need to get whatever is inside of them out. Money is great and fame can be cool, but these are the types of people who would be doing what they do with or without the rewards. They are making music and building visual representations because, deep down inside, they simply “need” to.

DOPE is exactly such a career entity: an endlessly creative, prolific and provocative force. DOPE inspires the full spectrum of reaction from their devoted legion of followers, and from those whose tastes penetrate deeply into the dark past of driving industrial music to the hard-partying savage beasts hungry to deploy and destroy to a cinematic soundtrack. DOPE is as much an idea as a band, a lifestyle and a cultural force; the brainchild of a singular, visionary mainstay known as Edsel Dope.

EDSEL DOPE continues to triumph against the odds, beginning as an independent Dope slinger in NYC who rose to the heights of daytime MTV, rock radio, major labels, and everything in between. Edsel and his fraternity-like assemblage of merry, roaming pirates, have recorded 6 full length albums, successfully toured the globe, while building a rabid “cult like” following who has consumed more than a million Dope albums around the world.

Dope is a unique story of a consistently successful band that has never had that one, universally identifiable song, which catapulted them into the mainstream, nor was Dope spun out of the success of another association. Instead, Dope is a band that has built its fan base through compelling live shows and remains connected to its audience through a deep catalog of music, which challenges its listeners to agree on any one favorite piece of work. Those loyal and dedicated fans are eagerly awaiting the latest Dope work, appropriately titled Blood Money (Part 1).

Blood Money has taken a bit longer to arrive than previous Dope albums. Because of this, there is a tremendous amount of new Dope music in the works, and, as a result, Blood Money will be at least a two part album.

“We toured virtually non-stop for more than 10 years” says Edsel. “It was just time for a little break from the ever present gypsy life. Once I was off of that unrelenting roller coaster for a minute, it became time for me to prioritize some other areas of my life, and to focus on some very important things that I had been neglecting for quite a while. During the down time I continued to write new material and the band continued to play regional dates, but there was definitely a shift from the (pedal to the metal) philosophy that had become the status quo, since the band first hit the scene. Because of this, it seemed to many that the band had gone into hiding, while the truth is, we simply shifted gears for a while.”
“The collection of songs written for Blood Money, represent a larger chunk of my life than previous albums. It only feels appropriate for me to keep all of these songs under the same title. Now that this process is fully in motion, I anticipate that Blood Money part 2 will follow part 1, relatively quickly…”

“Blood Money picks up where our last album No Regrets left off” says Edsel.
“It is heavy, melodic, and technical, and like all Dope albums, it is very broad in its song selection and sound, while also touching on a variety of topics. Saying all of that, Blood Money is also a bit more of a personal album for me, a bit more of a look inward, rather than me looking outward on this album. I went through allot of growth, on a personal level, over the last few years and some of that is depicted in the new music.”

The massive hard work and undertaking that went into 2009’s No Regrets was somehow taken a step forward with Blood Money, breathing a refreshed sense of excitement and anticipation into the Dope community.

The video for the title track “Blood Money” goes above and beyond the modern standards. In a world where hard rock / metal bands are churning out low budget performance videos, or often times simple lyric videos to support their musical works, Dope continues to take their visual elements to a whole other level.

“The music videos and the artwork that surround the recordings are every bit as important to me as the music” says Edsel. “The music video for ‘Blood Money’ is one of my proudest works to date. I put a tremendous amount of time and effort into writing and producing the song, as well as in writing and directing the video.”

In addition, the band has already released music videos for the song “Selfish,” which is a destructively heavy track and like “Blood Money” is the type of Dope anthem that could have just as easily been on their very first album. “There are lots of flavors on this album” says Edsel, as demonstrated through the dynamic music video for the song “Hold On,” which celebrates the more melodic / soulful side of the band as well as showcasing some of their more modern and technical guitar work.

There are several more music videos in the works for the tracks “1999”, “Drug Music”, “A New Low,” and “Violet”, once again expressing the band’s commitment to its visual content.

“’1999’ will be the next video that we release” says Edsel. “The song is very much, a classic Dope song. Heavy as hell with an anthem style hook that the old school fans will certainly appreciate.”

Blood Money follows Dope’s No Regrets and American Apathy, both of which continued to fuel the bands post major label career and have combined to move over 150,000 copies in the USA alone. These work also achieved the highest chart positions for Dope albums thus far, proving that the band has been trending upward since returning to its independent roots.

The enormous Fast and Furious franchise, Scream series, Guitar Hero phenomenon and cult thriller American Psycho all bear Dope’s bloody fingerprints. The bands music continues to serve as the landscape for multiple video games, tv shows, and films, continuing to demonstrate Dope's sonic appeal.

The albums Felons and Revolutionaries and Life represent the bands major label debut and sophomore efforts, setting the world ablaze with anthems like “Everything Sucks”, “You Spin Me Round (Like A Record),” “Now Or Never,” and “Die Mother Fucker Die”. The bands 3rd album, Group Therapy, was released independently, was self produced and contained a full length music video for every song on the album, a creative feat which, at the time, had not been accomplished by another artist.

Over the course of an increasingly impressive career, Edsel Dope has continued to handle the majority of Dope's workload. His responsibilities on Blood Money include producing, engineering, mixing, programming, art conception, video direction, vocals, & live drums, as well as sharing writing and performance duties on guitar, bass, and more. All of this has combined to make Edsel an unstoppable Renaissance Man.

Blood Money features a unique mix of support musicians. Dope mainstay guitarist Virus can be heard on multiple tracks, while new musical partner Nikk Dibs played a large role in guitar / bass / programming and production. Former Chimera guitarist Matt Szlachta and Chicago shredder, DJ Nelson were also recruited by Edsel, for some of the guitar work and collaborations on Blood Money.

“I appreciate all of the people that contributed to this album and to Dope, in general throughout the years” says Edsel. “I have a talented support group, and a great team of (go to guys) for touring and recording. Every album has consisted of a different line up, so I have allot of talented people to choose from at any given time.“

“We are all grown ups and I have a truly great relationship with all of these guys” says Edsel. “Dope has been a bit of a breeding ground for talent.. So many of the dudes that came up through the Dope fraternity have gone on to be part of some very successful things”: Device, Static-X, The Murder Dolls, Joan Jett & The Black Hearts, and most recently Marilyn Manson and The Misfits Reunion, just to name a few.

Dope is currently engaged in the Die Mother Fucker Die Reunion Tour, which features the classic Dope line up of Edsel Dope, Acey Slade, Virus, and Racci Shay. The line-up recently recorded Dope's first ever (live album) , Live From Russia, Fall of 2016.

“This tour has been a lot of fun,” says Edsel. “It’s been a long time since the four of us have toured together. The Live From Russia album is one of the coolest things Dope has ever done. It consists of 21 of your favorite Dope songs, all together on one killer sounding record. We recorded it half way across the globe and is packed full of live energy and emotion. It was allot of work, but well worth it, it really sounds great!”

The Dope manifesto is simple: individualism, self-empowerment, resistance to authority, and a take-no-shit from anybody attitude, balanced with a non-pretentious sense of humor. There will always be people committed to saying what they feel, to break out from the pack, and to simply be themselves. For those people, let there always be Dope.
Combichrist
Combichrist
"It's beyond my personal demons, and extremely honest," says LaPlegua of the fifth Combichrist album Making Monsters. With five albums, thousands of shows, and four full months in Europe touring with Rammstein (in front of hundreds of thousands of people), Combichrist has become a purely visceral creature, driven by instinct and emotion; stripped of all pretension. Its urgency - most evident in the raw and uncompromising new album – is fueled by expressions of lust, anger, pain and hate.

Presenting a foreboding soundscape, the album kicks off with a hauntingly atmospheric instrumental "Declamation," setting the tone for what is to follow: dark, stabbing synths; heavy, robotic beats; and swarming, buzz saw-style guitar sounds. Songs such as "Follow the Trail of Blood" (featuring Brendan Schiepatti of Bleeding Through) are baretoothed aggression; meanwhile the floor-stomping, first single "Never Surrender" proves to be aggressively catchy, with its metronome-tight rhythm through the verses, giving way to explosive choruses that is bound to pack dance floors. "Through These Eyes of Pain" takes a much subtler approach. Its echo-y vocal wash and glitchy beats conjure images like a mournful dream, exposing the man inside the monster. Though the moods displayed in Making Monsters are decidedly sinister, LaPlegua manages to portray these emotions in many different guises. Laden with hook heavy choruses, speaker-crushing beats, and LaPlegua's trademark dark, aggressive vocals, this is an album that exudes honesty and the darkness that often comes with it.

Initially cutting his teeth in the seminal Norwegian hardcore bands Fleshfire and Lash Out, LaPlegua segued out of that scene into the electronic music world with Icon of Coil. Originally a solo project, it morphed into a full band with the additions of Sebastian Komor and Christian Lund. Not only did IOC mark LaPlegua's first major work with electronics and dance beats, but it also granted him wider exposure beyond Norway; IOC was LaPlegua's first project to be released in the United States.

It wasn't until 2003 that LaPlegua founded Combichrist - the project that would soon dominate his time. A departure from IOC's futurepop sound, Combichrist took LaPlegua's hardcore past and electronica present and merged them into a singular, mechanical music monster. Without the compromise of the band dynamic, LaPlegua, who does everything in the studio himself on Combichrist releases, was able to explore whatever avenue he desired musically. What he found was a long dark road with plenty of twists and turns. The Joy of Gunz, LaPlegua's first release as Combichrist, was quickly followed by two EP's: 2004's Kiss the Blade and Sex Drogen und Industrial.

In 2005, LaPlegua was back at it again, releasing the landmark album Everybody Hates You. Defying the dreaded sophomore slump, the second Combichrist full-length featured two tracks that would become club classics—"This Shit Will Fuck You Up" and "This Is My Rifle"—and was also the project's U.S. debut on Metropolis Records. Further benchmarks were set with the release of the 2006 EP Get Your Body Beat, the title track of which landed Combichrist its first appearance on Billboard's Top 10 Dance Singles chart.

The years that followed brought on two more full-length albums — What the Fuck Is Wrong with You People? (2007) and Today We Are All Demons (2009) — as well as a handful of additional EPs. On top of Combichrist's many releases, LaPlegua has also logged countless miles, globetrotting on tours of Europe, South America, Australia, the United States and points in-between.

Though Combichrist has kept him busy over the past seven years, LaPlegua has other interests that fill the rare breaks from his main musical project. The Atlanta, GA - based songwriter maintains Panzer AG, a sonic hybrid of Combichrist and Icon of Coil and even plays in a straightforward American rock 'n' roll band, Scandinavian Cock. This affinity for Americana is also displayed in his love for hotrods and motorcycles. On his MySpace page, LaPlegua states, "I'm a Norwegian grease ball, and I'm never afraid to get dirty!"

With Making Monsters, man and beast have combined, evolving beyond the demon it once was and into a greater, bigger and more malevolent force in music. This time, there's no surrender.
September Mourning
September Mourning revives the concept of rock star meets superhero. If Marilyn Manson and Lady Gaga had a kid, it would be September Mourning, who also cites influences as varied as David Bowie, Motionless in White, KISS, Paramore and My Chemical Romance.

"For me, the project is a story, a theatrical art piece," September explains. "Music is a piece of the backbone, but for this to work, it has to include the imagery and the narrative all symbiotically linked into the whole. Music taps into your innermost being. There's something very intimate and personal about it."

The character of September Mourning is a human-reaper hybrid, who feels the need to give some human souls a second chance, and thus toys with Fate. To expound on this narrative, September is working with iconic comic book artist Marc Silvestri, who started out on the original X-Men comics and went on to form both Image and Top Cow Productions (Witchblade, The Darkness). Together, they are putting together the story of September Mourning in graphic novel form, to accompany, and enhance the storyline and musical message.

September Mourning carries positive passions into its music, which is often operatic, but also completely rock 'n' roll in all its majestic glory.

Having toured with Marilyn Manson, September Mourning has already built up an impressive fan base, which she calls her "Children of Fate," constantly encouraging them to have "the courage to embrace their passion… to allow yourself to follow your heart and not be a slave to your fears. To know that the only boundaries that exist in our lives are the ones we allow."
Davey Suicide
Davey Suicide
The name, Suicide is a constant reminder that unless we kill ourselves, there’s no ceiling for what we are capable of.“

Hailing from Unholywood Killafornia, Davey Suicide is cultivating the underground by fusing arena rock, gutter grit, sleaze, killer tunes and theatrics into their own “nu” brand of industrial rock. The band, which features Davey Suicide along with Drayven Davidson, Needlz, Niko Gemini, and Derek Obscura, distills rock, industrial and punk into anthems that are as corrosive as they are catchy. "Rock fans haven’t gone anywhere,“ Suicide exclaims, “they just need a reason to fall in love again.”

Formed in 2010, Suicide played a few shows in Hollywood, California before garnering the attention of a couple labels and the former manager of Linkin Park. Armed with the recordings that later became the Davey Suicide LP, by early 2012, Suicide signed a record deal with Standby Records. By the summer of 2012, Suicide started extensively touring. From 2012-2015, the band went on 16 tours, over 330 shows (with the likes of Static-X, Combichrist, Wednesday 13, Twiztid, Ill Nino, Orgy, New Years Day, William Control) and put out 3 releases including the Put Our Trust in Suicide EP (Nov 2012), the self titled Davey Suicide LP (March 2013) and the World Wide Suicide LP (September 2014).

Along the way, Suicide gained notable press with songs “Generation Fuck Star” and “Kids of America” by Kerrang Magazine as one of the Top 50 Rockstars in the World, Alternative Press’ 100 Bands You Need to Know, Revolver Magazine’s Ones to Watch, and numerous features in Big Cheese, Outburn, Substream, Scuzz TV & Blank TV.

Rumors of heavy friction between Suicide and the record label started surfacing after the intentional botched release by the label of World Wide Suicide in September 2014. In the spring of 2015, Suicide and the record label locked horns in a litigation over rights of Suicide’s albums and numerous contractual breaches. After a year and a half of litigating with little movement on the case, Suicide decided to release a tell-all video depicting the details of what the band had gone through with the label in August of 2016. The tell-all video immediately went viral and spun the music community into a media circus. It amassed over 1.3 million views, and reached over 3 million people in a matter of days. Shortly after the video went viral, an emergency hearing was called by the label and took place in Ohio. The lawsuit got settled the day of the hearing in exchange for the viral post being removed from Facebook. In addition, a settlement, freedom and music rights were granted to Suicide.

in late August of 2016, Suicide released the empowering single, “Rise Above” which got added to Kerrang TV, Scuzz TV and Kerrang Radio’s rotation. “Rise Above” symbolized freedom, a new life for the band and became the first single off their 3rd studio album entitled, “Made From Fire.”

On September 16, 2016, Davey Suicide’s catalogue was re-released on Itunes, and all digital outlets by Suicide under the name AntiSystem Records.

Made From Fire, the 3rd studio LP, was released on March 24, 2017 and charted on Billboard. The album peaked at #3 on Top Heatseakers, #6 on Top Hard Rock, #14 on Top Independent and #76 on the Top 200.
Made From Fire has guest features from Twiztid and William Control. Suicide exclaims, “all of this adversity tested us and forced us to learn how to survive. It could have ended us, but instead, we’ve created our most exciting collection of material to date.”

Critics and the public have been raving over this comeback story. "Davey Suicide’s, “Made From Fire” incorporates the anarchistic bite of vintage Marilyn Manson with the stadium feel of Bring Me The Horizon and the epic melodies courtesy of In This Moment. Blended together with barefaced sex appeal and borderline extremism and danger, Davey Suicide has erected a new kingdom of torching wrath, industrial destruction, passionate melodies, tons of charisma and a tough attitude allowing only one conclusion: If there’s one Rock band out there the world really, really needs right now, it’s Davey Suicide.“

The band finished their first few tours off this album cycle with Dope and Combichrist, Doyle (Misfits guitarist) and a headline run to the Ink in the Clink festival w/ 3 Days Grace. They are currently on their 3rd single entitled, “No Angel” and are heading out this winter to continue supporting, Made From Fire.

Touring History:

2017
-Road to the Ink in the Clink
-Abominate the World Tour w/ Doyle
-Blood, Lust, Death Tour w/ Dope, Combichrist, September Mourning
2016
-AntiSystem Revolution Tour w/ Deadstar Assembly, The Funeral Portrait
-Juggalo Invasion Tour w/ Twiztid, Blaze Ya Dead Homie, Boondox
2015
-Dirty Rotten Road to Dirtfest
-Civil Unrest Tour w/ Ill Nino, Motograter, Straight Line Stitch, Darkc3ll
-The Darkness Tour w/ Twiztid, Kung Fu Vampire, Damn Dirty Apes
2014
Reckoning Tour w/ BOTDF, Whitney Peyton, Social Repose
We Love Tour w/ Combichrist, Wililam Control, Darksiderz
2013
-Bad Blood Tour w/ BOTDF, Farewell My Love, Relapse Symphony
-Revel Without a Cause Tour w/ William Control, Fearless Vampire Killers
-Bad Blood Tour UK w/ BOTDF
-Hide Your Morals Tour w/ The Bunny the Bear, The Defiled
-Wide Awake & Dead Tour w/ Orgy, Vampires Everywhere
2012
-Scene is Dead Tour w/ Jeffree Star, New Years Day, BOTDF
-Noise Revolution Tour Leg 2 w/ Static X, Winds of Plague, The Browning
-Noise Revolution Tour Leg 1 w/ Static X, Prong, 9 Electric
-Summer of Blood Tour w/ Wednesday 13
Sons Of Providence
Sons Of Providence
Memphis Roarke - Vocals, Upright Bass, Programming
Zebulon Hunting Jessup- Drums, Programming


Formed in 2011 in Phoenix, AZ, Sons of Providence is something truly avant-garde. They are constantly in pursuit of growth and evolution, pushing to find that as perfect as possible sound that is true to the mind of front-man and founder Memphis Roarke. Finding their place in the musical world has been a task, but this is not a band content on imitation.

They represent a personal darkness; pain, anger, depression, and despair. A head torn between saving the world and the futility of trying.

The band has already begun knocking out tours and festivals on their journey up, including the post-apocalyptic themed Wasteland Weekend held yearly in California. Where other bands simply get on stage and play their instruments, Sons of Providence understand that the people come out to see a show and without gimmick, a show is what they deliver!

This is only the beginning for this ever-evolving band.

Discography:
-The Divine
(7-track EP, January 2012)
-Paradise
(4-track demo, March 2013)
-The Comedy Complete
(14-track LP, October 2013)
-Anhedonia
(Single, June 2015)
-A Conscious End To Suffering
(6-track mini-LP, November 2015)

Music Videos:
-"Conquest of the Prodigal Son"
(May 2014)
Swindy
Venue Information:
Club Red
1306 W. University Dr
Mesa, AZ, 85201
http://www.clubredrocks.com/